Mathias Goeritz
Mathias Goeritz worked across sculpture, architecture and land art, arguing for an “emotional architecture” that used scale, color and abstract form to affect the people moving through it — an idea built most directly in the Museo Experimental El Eco and, decades later, in the collective Espacio Escultórico at UNAM.
Buildings
Facts
He was a working point of contact between Bauhaus-trained modernists and Mexican architecture
Goeritz's projects and circles overlapped directly with Barragán, Legorreta, and the wider Albers–Porset network of European émigré designers active in Mexico. He co-designed the Torres de Satélite with Barragán and contributed artistic elements to the Capuchin Convent Chapel, work that later became entangled in an authorship dispute over which of the two men's ideas the towers actually belonged to.
Through that position, ideas descended from Bauhaus-era abstraction reached Mexican architecture not only as functionalist planning but as monumental, emotionally charged sculpture in public space — the "emotional architecture" Goeritz argued for.